07
“While examples of 18th c. ladies’ silk shoes like the pair,left, aren’t rare (like these,these, and these), shoes with a lurid ghost story attached certainly are. Know as the Papillon Shoes, this pair has a fascinating provenance that’s more ghost story and legend than historical fact.
David Papillon (1681-1762) was a wealthy courtier and the master of Papillon Hall, Leicestershire, lower right. ”Old Pamp“‘s reputation for drunken debauchery was enhanced with whispers that he was friends with the Devil, and that he possessed demonic powers sufficient to paralyze his enemies with a single glance. Other rumors claimed he kept a beautiful Spanish mistress at the Hall. There she was a virtual prisoner, locked away in the attic, and only permitted to walk along the roof for exercise. She disappeared under mysterious circumstances in 1717; one story had her die in the attic, cursing the house and promising death and disaster to any owner who dared remove the shoes in which she’d walked the lonely roof.
Soon afterwards, Papillon left the Hall permanently to marry and live with his new wife in Kent. Some judged his haste suspicious, especially considering that he left strict instructions that certain items should never be taken from Papillon Hall. Among them were these shoes.
Over the years, the Hall changed hands many times. In the mid-19th c., however, the contents (including the shoes) were left to the old owner’s daughter, and removed from the house. The new owners were at once plagued with unexplained loud thumps, crashes, and voices coming from the attic rooms, violent enough to terrify the family and servants. A local clergyman recalled Old Pamp’s stipulation. The shoes were found and restored to the house, and peace restored with them. On several other occasions in the next century the shoes were removed from the house. Each time poltergeist activity began and continued until the shoes were returned.
The Hall was renovated in 1903, and a long-dead body was found hidden in the walls near the attic. While there was no way to know for sure if this was Old Pamp’s mistress, the discovery fueled the legend, and more reports of paranormal activity with it. Even after the Hall fell into disrepair and was demolished in 1950, the mistress’s curse seemed to shift to the remaining outbuildings, terrifying their inhabitants. The site was studied by paranormal investigators, who definitely came to believe in the curse.
After the Hall was knocked down, the shoes were left first to a Papillon descendant, and then to the local museum. Yet even that mundane transfer had its mysteries. The driver of the truck carrying the shoes became inexplicably lost. The short trip took him hours instead of minutes to complete, and when he finally did arrive, he was confused and disoriented, without any knowledge of where he’d been or what had happened. Ahh, the power of the shoes….”
Reverse of Volume RG by Yasuaki Onishi
Yasuaki Onishi uses the simplest materials – plastic sheeting and black hot glue – to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of “reversing” sculpture is Onishi’s meditation on the nature of the negative space, or void, left behind. It appears to be a suspended, glowing mass whose exact depth is difficult to perceive. Almost like stepping into an inner sanctum or cave-like chamber, the semi translucent plastic sheeting and wispy strands of hot glue envelop the viewer in a fragile, tent like enclosure speckled with inky black marks. Visitors can walk in and out of the contemplative space, observing how the simplest qualities of light, shape, and line change.
(via futurisms)
Poster art: Batiste Madalena edition (via)
Up until the 1950s, many movie theaters rejected the mass-produced, lithographed film posters designed and distributed by Hollywood studios in favor of original, hand-painted posters created by local artists.
During the 1920s, Batiste Madalena was the resident artist at the Eastman Theatre in Rochester, NY., where he designed and hand-painted about eight original posters per week. Madalena, who is considered the greatest poster painter of the period, was given full artistic control, with the only directive from his boss being that the posters had to be clearly visible to passengers on passing trolley cars.
More examples of Madalena’s work here.
(via mumbling-mice)
“A gentleman is one who never hurts anyone’s feelings unintentionally.”
-Oscar Wilde”
-Oscar Wilde”
— (via ianlaya)
Interesting both in terms of the history of printing and the history of having to mail things to people.
(Source: encoreuneminute, via hoop-skirts-and-corsets)
He looks like Adam Ant, y’all.
Thomas Sully—“Portrait of Captain Jean Terford David.”
And a very merry Christmas to you, too.
(via omgcravats)
I’m obsessed with Adam and the Ants right now. I love this video. I love that everyone is wearing 18th-century clothes and listening to walkmen. I love it!
Stand and Deliver.
